From her upcoming album “So Long Little Miss Sunshine”, to be released on 15 August 2025:
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Mimika – “Elevator”
Raised in Brampton, this Canadian singer and songwriter was born with a natural love for music pre-installed. She started writing her own material aged 12, plays piano, guitar and the flute and was releasing songs by 15. She graduated from Berklee College of Music in Boston and followed it with a North-American tour. She performed at venues like The Baby G and various festivals. Inspired by Jon Bellion, Julia Michaels and Britney Spears, she released her debut single “Civil War” In 2019.
Celebrating the courage to say yes to living life to the full and not having any regrets when you’re older, her new single encourages a cheeky bit of roguery. Built on her playful orchestral pop sound, the song starts slow with a soft synth key and mellow rhythm. Soon the joyous chorus bursts open and starts radiating summery vibes from the swaggering bass, colourful percussion and full-bodied horns. And with heavenly harmonies and her gleeful vocals, this is a glorious gem.
Johnny Gill – “Wrap My Body Tight”
From his album “Johnny Gill” (1990):Mabel – “Love Me Gentle”
From her upcoming mixtape “Mabel”, to be released on 25 July 2025:
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Barbara – “Tolerant Nation”
Based in Brighton, this British duo consists of brothers John and Henry Tydeman. As kids they were already playing songs together at the piano, but five years ago they decided to form a band and pursue a musical career. Since then they’ve toured the UK extensively, playing venues like The Brunswick in Hove and supported The Divine Comedy, Haircut 100 and Paul Weller. Inspired by Electric Light Orchestra, The Kinks and Rufus Wainwright, they released their debut “Brb” in 2021.
Taking us back to the 70s with a Jeff Lynne-touched orchestral pop anthem, their new single asks the question just how tolerant is tolerance? Taken from their upcoming, self-titled, debut album, expected on September 5th, the melodic layering is truly exquisite. From a simple piano to the punchy percussion, various ear-stroking key-changes and exhilarating guitar solo, all ascending to a grand sonic crescendo, this majestic, retro-tinged groove is a musical experience.
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From her album “The Wanderer” (1980):
Jansen's Jamz 