In The Spotlight

Nyah Grace – “Only Mine”

Hailing from Oregon, USA and now based in Manchester, UK, this singer and songwriter asked her mother for singing lessons aged 6. She then taught herself how to play piano and guitar by watching YouTube videos. Thanks to her great aunt Michelle, who sang background for Chic and The System, she found jazz and R&B at 12. Since her move to the UK she’s played festivals like Beyond The Music. Inspired by Lauryn Hill, D’angelo and Estelle, she released her debut “Black Coffee” in 2019.

Following the evolution of a relationship, blossoming from casual into real love, her new single shows a genuine vulnerability and intimacy. Taken from her upcoming album “Divinely Devoted”, expected on June 11th, this sultry song is pure musical velvet. With a serene rhythm, sleek piano and delicate bass conjuring up a vivid image of a smoky basement jazz bar, it’s the heavenly harmonies and the smoothness of her vocals that make this jazzy tune an absolute joy for your ears.

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In The Spotlight

Derrick Dove & The Peacekeepers – “Just Walk Away”

Originating from Tifton, frontman Derrick Dove started as a drummer in his dad’s band aged 10. He switched to guitar aged 12 and formed his first band aged 14. After a disappointing year in Nashville to chase his dream, he returned and formed his current band consisting of Jamie Richardson, Don Hill III and Jonathan Thomas in 2010. Inspired by music legends such as Stevie Ray Vaughn, Jimi Hendrix and Kenny Wayne Shepherd, they debuted with “Hangin’ Out With The Blues” in 2018.

Crooning about heartbreak with a raw, emotion-filled grit, their new single finds that sweet spot balancing classic blues, southern rock and a touch of country with a sprinkling of soul. Taken from their album “Burn It Down”, the track instantly grabs hold of your heart from the very first note and won’t let go throughout. With some emotive percussion, wistful Hammond organ and wailing guitars. it’s his dusty vocal passion that make this rousing groove a heart-wrenching gem.

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In The Spotlight

Jensen McRae – “Savannah”

Hailing from Los Angeles, this singer and songwriter has been singing all of her life. She began learning to play piano aged 7. In high school she attended Grammy Camp to learn more about the music industry. She also earned a bachelor’s degree in popular music performance at the USC Thornton School Of Music. Since then she’s toured with artists like Noah Kahan and Corinne Bailey Rae. Inspired by Carole King, Alicia Keys and James Taylor, she released her debut “White Boy” in 2019.

Filled with heartfelt emotion, her new single reflects on the end of a toxic relationship and the realization that when trying to move on she’s constantly confronted with her past. Taken from her upcoming album “I Don’t Know How But They Found Me”, expected on April 25th, it’s the soft acoustic guitars, bobbing beat and gentle piano chords that create the delicate melody. And with her emotive, yet radiant vocals conveying freedom and self-discovery, this lavish tune is breathtaking.

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In The Spotlight

Abbey Lane – “Baby Steps”

Based in Sydney, this Australian singer and songwriter’s passion for music started aged 4 when hijacking the keyboards at her brothers piano lessons. Plentiful songwriting competitions and talent shows followed. Since she’s collaborated with Yung Bleu and Tenille Arts and performed at Old Bar Beach Festival and Rockhampton River Festival. She also won Best Folk Song for “Darling” at the ASA Awards. Inspired by Kita Alexander and Gretta Ray, she released her debut “Hypnotised” in 2021.

Written with the intention to motivate us to celebrate little wins in an otherwise chaotic life, her new single highlights that small changes can make a big difference. Flowing like a sonic river, gently meandering through her ethereal soundscape, the delicate melody blends a laid-back rhythm, velvety guitars and smooth keys into a dreamy fusion of soft tones. And with her enchanting vocals conveying her heartfelt lyrics, this comforting tune is nothing more than pure auditory magic.

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In The Spotlight

CMON CMON – “Headwind”

This Belgian trio is no stranger to the music scene. Consisting of Jorrit Hermans, Steven Omblets and Michel Becx, they formed their first band in college two decades ago. Eventually going their own way to have regular jobs, they reunited under their new moniker in 2019. Finding themselves with a totally unexpected success, they played gigs and festivals all over Europa and the USA. Inspired by Tom Petty, R.E.M. and Hüsker Dü, they released their debut “The Summers We Missed” in 2022.

Shining a light on staying true to yourself, their latest EP shows both the upside as the downside. The titular, third single is an intricate amalgamation of soft melancholy and cinematic splendour. Instantly hypnotic, the song starts with a mellow melody that draws the listener in. With a gentle rhythm, infatuating indie guitars and an understated Hammond organ leading us to an anthemic chorus, it’s the charismatic vocals that take us on a trip through their irresistible musical world.

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In The Spotlight

RETI – “Shake”

Born as Reti Niimann, this Estonian artist was raised in a music-loving household, immersed in soul and funk. Although she has a degree in choreography, singing is her first love. She’s been releasing music for four years, step by step honing her sound and letting life experience seep through into her lyrics. She recently signed with Estonian record label Funk Embassy. Inspired by legendary soul artists like Marvin Gaye and Aretha Franklin, she released her debut single “Tell Me” in 2021.

Written in just a single day, her new single and first release on the Funk Embassy label is a majestic and red-hot brew of soul, funk and disco. Effortlessly blending the classic sound with contemporary touches, it creates an insatiable driving melody. With a furiously pulsating bass line, wild rhythm and impetuous keys dragging us onto the dancefloor, it’s the sheer power of her Chaka Khan-reminiscent vocal might that lights a funky fire under this propulsive and exhilarating disco banger.

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