From her upcoming album “I Don’t Know How But They Found Me… Again!”, to be released on 24 July 2026:
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Author: Jansen's Jamz
PJ Morton – “Close Enough”
Born in New Orleans, this versatile singer, songwriter and keyboardist was raised in a religious household, with a gospel singing and church founding dad and a pastor mom. He learned to play the piano by ear in his father’s church. Although he was brought up with only gospel, he discovered jazz and soul in college. He’s played various festivals like New Orleans Jazz & Heritage and the Essence Festival. Inspired by Stevie Wonder, Prince and James Taylor, he released his debut “Heavy” in 2012.
Although rooted in gospel tones and profound faith, his new single is about finding relief in times of suffering. Adding a layer of soul to the spiritual foundation, this exalted song finds solace in celestial healing. Effortlessly blending traditional gospel with classic soul and modern R&B, it’s the warm Hammond organ, lush strings and smooth rhythm that give the melody pure sophistication. And with a full gospel choir and his soulful vocals, this emotion-filled tune is a joy for your ears.
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Gossip – “Move In The Right Direction”
From their album “A Joyful Noise” (2012):Blossoms – “Meet Me In Love”
From their upcoming album “Songs From The Wedding Cake”, to be released on 2 October 2026:
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RAEGAN – “Crying Is A Girl’s Best Friend”
Born in Miami, this singer and songwriter grew up with local stage productions, a Broadway score and dance training. Extensively trained in acting and music, including opera, she also studied Recorded Music at the Clive Davis Institute. She wrote her first song aged 13 and since performed worldwide in venues like The Bowery Electric in New York and Heaven in London. Drawing inspiration from MARINA, Tyler, The Creator and Melanie Martinez, she debuted with “TIM BURTON” in 2022.
Reinventing crying as a sign of strength and resilience, her new single shows how seemingly being happy is sometimes a mere mask to hide pain. Singing about turning heartbreak into self-love, this imposing song blends its emotional vulnerability with a grandiose, theatrical flair. Guided by a pop beat, the exquisitely layered instrumentation is enriched with cinematic strings and hints of brass. And with her vocal fusion of raw pop and classical opera, this is a truly triumphant ballad.
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From his album “Cloud Nine” (1987):
