From his album “Soul Searchin'” (1988):
Month: February 2020
STORRY – “Money Ain’t Free”
From her upcoming album “CH III: The Come Up”, to be released on 20 February 2020:
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Fonkynson ft. Desiire – “Mind Games”
Originally from France, this DJ and producer was first influenced by his father’s music, like Jimi Hendrix and The Rolling Stones. As he grew up he developed a taste for electro styles, such as house, drum ‘n’ bass and techno. Now based in Montreal, he introduced his future-disco-house sound on his 2008 debut EP “So Damn Fresh”. His first full-length album “#followme” was released in 2016.
Featuring the contemporary soul-infused stylings of R&B vocalist Desiire, his new single fluently blends electronic acrobatics with some funkalicious seasoning. With a punchy beat serving as the melodic backbone, it’s the sweltering, disco-flavored synths that give a future-house basis its delectable vintage flair. Seductive, catchy and fresh, this jam is one groovy game you won’t mind playing.
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Cathy Dennis – “Touch Me (All Night Long)”
Charlie Wilson – “Forever Valentine”
Overflowing with Uncle Charlie’s honeyed soul and Bruno Mars’ funky vibes, this is the new single by Charlie Wilson:
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Ntjam Rosie – “Sailing Out”
Born in Cameroon, this stunning Dutch vocalist and musician spent the first nine years of her life hearing the beat of the drums, singing in church and falling in love with music. After moving to The Netherlands she took singing lessons and studied at Codarts School For The Arts in Rotterdam. With her own blend of jazz, soul, pop and afro grooves, she debuted with her 2008 album “Atouba”.
Floating on a sea of sultry soundwaves, the multitude of various influences on her new single puts a gentle breeze in her sails. It’s smooth and jazzy, but also groovy and soulful, while still including her signature African vibes. Shimmering in pure auditory beauty, it’s the multi-layered melody and her enchanting, Sadé-reminiscent vocals that discover a tranquil ocean of musical magic to sail out on.
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From her album “Move To This” (1990):